Man and Wife
First published 1870
On a summer’s morning, between thirty and forty years ago, two girls were crying bitterly in the cabin of an East Indian passenger ship, bound outward, from Gravesend to Bombay.
Contents
- Title page and introductory matter
- PROLOGUE.—THE IRISH MARRIAGE. — Part the First.
- Part the Second.
- THE STORY. — FIRST SCENE.—THE SUMMER-HOUSE. — CHAPTER THE FIRST.
- CHAPTER THE SECOND. — THE GUESTS.
- CHAPTER THE THIRD. — THE DISCOVERIES.
- CHAPTER THE FOURTH. — THE TWO.
- CHAPTER THE FIFTH. — THE PLAN.
- CHAPTER THE SIXTH. — THE SUITOR.
- CHAPTER THE SEVENTH. — THE DEBT.
- CHAPTER THE EIGHTH. — THE SCANDAL.
- SECOND SCENE.—THE INN. — CHAPTER THE NINTH. — ANNE.
- CHAPTER THE TENTH. — MR. BISHOPRIGGS.
- CHAPTER THE ELEVENTH. — SIR PATRICK.
- CHAPTER THE TWELFTH. — ARNOLD.
- CHAPTER THE THIRTEENTH. — BLANCHE.
- THIRD SCENE.—LONDON. — CHAPTER THE FOURTEENTH. — GEOFFREY AS A LETTER-WRITER.
- CHAPTER THE FIFTEENTH. — GEOFFREY IN THE MARRIAGE MARKET.
- CHAPTER THE SIXTEENTH. — GEOFFREY AS A PUBLIC CHARACTER.
- FOURTH SCENE.—WINDYGATES. — CHAPTER THE SEVENTEENTH — NEAR IT.
- CHAPTER THE EIGHTEENTH. — NEARER STILL.
- CHAPTER THE NINETEENTH. — CLOSE ON IT.
- CHAPTER THE TWENTIETH. — TOUCHING IT.
- CHAPTER THE TWENTY-FIRST. — DONE!
- CHAPTER THE TWENTY-SECOND. — GONE.
- CHAPTER THE TWENTY-THIRD. — TRACED.
- CHAPTER THE TWENTY-FOURTH. — BACKWARD.
- CHAPTER THE TWENTY-FIFTH. — FORWARD.
- CHAPTER THE TWENTY-SIXTH. — DROPPED.
- CHAPTER THE TWENTY-SEVENTH. — OUTWITTED.
- CHAPTER THE TWENTY-EIGHTH. — STIFLED.
- FIFTH SCENE.—GLASGOW. — CHAPTER THE TWENTY-NINTH. — ANNE AMONG THE LAWYERS.
- CHAPTER THE THIRTIETH. — ANNE IN THE NEWSPAPERS.
- SIXTH SCENE.—SWANHAVEN LODGE. — CHAPTER THE THIRTY-FIRST — SEEDS OF THE FUTURE (FIRST SOWING).
- CHAPTER THE THIRTY-SECOND. — SEEDS OF THE FUTURE (SECOND SOWING).
- CHAPTER THE THIRTY-THIRD. — SEEDS OF THE FUTURE (THIRD SOWING).
- SEVENTH SCENE.—HAM FARM. — CHAPTER THE THIRTY-FOURTH. — THE NIGHT BEFORE.
- CHAPTER THE THIRTY-FIFTH. — THE DAY.
- CHAPTER THE THIRTY-SIXTH. — THE TRUTH AT LAST.
- CHAPTER THE THIRTY-SEVENTH. — THE WAY OUT.
- CHAPTER THE THIRTY-EIGHTH. — THE NEWS FROM GLASGOW.
- EIGHTH SCENE—THE PANTRY. — CHAPTER THE THIRTY-NINTH. — ANNE WINS A VICTORY.
- NINTH SCENE.—THE MUSIC-ROOM. — CHAPTER THE FORTIETH. — JULIUS MAKES MISCHIEF.
- TENTH SCENE—THE BEDROOM. — CHAPTER THE FORTY-FIRST. — LADY LUNDIE DOES HER DUTY.
- ELEVENTH SCENE.—SIR PATRICK’S HOUSE. — CHAPTER THE FORTY-SECOND. — THE SMOKING-ROOM WINDOW.
- CHAPTER THE FORTY-THIRD. — THE EXPLOSION.
- TWELFTH SCENE.—DRURY LANE. — CHAPTER THE FORTY-FOURTH. — THE LETTER AND THE LAW.
- THIRTEENTH SCENE.—FULHAM. — CHAPTER THE FORTY-FIFTH. — THE FOOT-RACE.
- FOURTEENTH SCENE.—PORTLAND PLACE. — CHAPTER THE FORTY-SIXTH. — A SCOTCH MARRIAGE.
- FIFTEENTH SCENE.—HOLCHESTER HOUSE. — CHAPTER THE FORTY-SEVENTH. — THE LAST CHANCE.
- SIXTEENTH SCENE.—SALT PATCH. — CHAPTER THE FORTY-EIGHTH. — THE PLACE.
- CHAPTER THE FORTY-NINTH. — THE NIGHT.
- CHAPTER THE FIFTIETH. — THE MORNING.
- CHAPTER THE FIFTY-FIRST. — THE PROPOSAL.
- CHAPTER THE FIFTY-SECOND. — THE APPARITION.
- CHAPTER THE FIFTY-THIRD. — WHAT had happened in the hours of darkness?
- CHAPTER THE FIFTY-FOURTH. — THE MANUSCRIPT.
- CHAPTER THE FIFTY-FIFTH. — THE SIGNS OF THE END.
- CHAPTER THE FIFTY-SIXTH. — THE MEANS.
- CHAPTER THE FIFTY-SEVENTH. — THE END.
- EPILOGUE.